11 years ago
The technophobic fantasies of early Michael Crichton
One of the best films of 2013, Spike Jonze’s Her, concerns a man who falls in love with his computer’s operating system. It’s easy to imagine a film with a similar premise appearing in a different decade—extremely easy, actually—but it’s hard to imagine it taking the form it does in Her. Even factoring out Jonze’s unique imagination, and factoring in thoughtful exception
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