There are a lot of positives for viewers who have no strong opinions on Gibson as a writer.

"1:1 scale Enterprise models and sets have been recreated according to Star Trek canon, to visualize the history of Star Trek in new holographic mediums, so that future generations can experience franchise creator Roddenberry’s legacy with the highest levels of immersion and historical fidelity."

Most fictional portrayals of technology today are not as optimistic as they used to be. Indeed, public and political conceptions about artificial intelligence (AI) and robotics are being strongly shaped by the relentless dystopianism of modern science fiction novels, movies and television shows. And we are worse off for it.

The BBC has today announced Ncuti Gatwa is the new Doctor set to take charge of the TARDIS

Premiere Review: Star Trek: Strange New Worlds makes first contact as perhaps the best new Trek in years.

A few great performances do not save Apple TV+'s faithless adaptation of Isaac Asimov's classic sci-fi series.

Our fascination with what the future might look like has made science-fiction a staple of cinema since the silent era. Georges Méliès’s Trip To The Moon was a landmark moment in film way back in 1902, and filmmakers have been exploring stories of how science, technology and politics might intersect ever since; often with disturbing foresight.

You’ve known Spock as, well, Spock, ever since the the original Star Trek. We’ve seen him aboard the Enterprise, we’ve seen him as the would-be unifier of the Vulcan and Romulan peoples, an ambassador, and thanks to Discovery, in his Panic! At the Disco rebellious phase. Now Strange New Worlds is giving a little new light to Spock—with the help of a classic novel.

The Predator franchise returns this summer with brand new prequel movie Prey, and while we still don’t have a release date, we do have some new information about the Hulu film.

Arguably the very first images to depict space travel on a scientific basis, these wonderful illustrations are the work of the French illustrator Émile-Antoine Bayard.

John Cho stars in Netflix’s brilliantly amped-up live-action update of the anime classic, which offers madcap mayhem with an anything-goes feel

Penguin Random House has taken on a truly ambitious project to re-record all 40 audiobooks from Sir Terry Pratchett’s bestselling Discworld series, featuring a cast of leading names from British stage and screen, with the first subseries publishing in April 2022.

It would be reasonable to expect that it might be a slow year at auction for science, technology and science-fiction, but 2021 is on track for a record.

Russell T Davies will make an explosive return to screens to celebrate the 60th Anniversary of Doctor Who in 2023, and series beyond.  BBC Studios are partnering with Bad Wolf to produce.

“Foundation” isn’t TV’s first stab at adapting a dense, beloved book series to the screen, and it won’t be the last. But in taking on Isaac Asimov’s seminal works of science fiction, the new Apple TV Plus drama does, at least, do something rather unusual for adaptations.

Two cult authors both wrote about human nature – and the horrors that technology can unleash. Dorian Lynskey explores the parallel lives of the writers whose work still resonates.

Johnny is a walking hard drive: a courier-cum-USB-stick. Anxious clients pay to stash data in his head. He has no access to the data; the right password, spoken aloud, triggers “idiot/savant” mode—and gets him talking.

When the iconic science fiction television show Star Trek first premiered in 1966, humanity had yet to walk on the moon, and things like cell phones and the internet were still decades away from becoming more or less ubiquitous.

It's funny how science fiction universes so often treat humans as a boring, default everyman species or even the weakest and dumbest. I want to see a sci fi universe where we're actually considered one of the more hideous and terrifying species.