Sadly, it wasn't the case with this gentleman.

Though he documented much of his life and work in writing, Palissy kept much of the specifics of his life-casting process secret. Based on the methods of fellow French artisans who also employed this technique, it’s likely that he kept a menagerie of specimens in jars in his workshop. Once it was time to cast a subject, it was customary to dip the creature in vinegar or urine, coat it in a greasy substance, then position it on a bed of plaster, arranged in a striking, lively pose. The final step would have been covering—as in, suffocating—the specimen with additional plaster.