He shoots everything from a street-level perspective without cranes or drones and then, along with Schoener, he mounts and reconstructs the facades “in our own intensive process of composition” that allows for the viewer to appreciate all of the intricate details of the structures.
The lack of drones seems to be what they're emphasizing, and it does seem like he's being purposefully a little secretive about "our own intensive process of composition". Wondering if anyone had any ideas about how one would go about doing this?
The lack of drones seems to be what they're emphasizing, and it does seem like he's being purposefully a little secretive about "our own intensive process of composition". Wondering if anyone had any ideas about how one would go about doing this?
Sorry, my bad. Must be Photoshopped to correct the perspective then. Repairing Keystoning.