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Reconsidering modern art's sacred monster: Picasso in a post-MeToo world
Pablo Picasso's problematic relationship with the opposite sex has long been documented: by the women who shared his life and by the art critics and biographers who relayed the artist's musings, such as "there are only two kinds of women: goddesses and doormats". As the Picasso Museum in Paris invites feminist artist ORLAN to revisit his portraits in "Weeping Women Are Angry", we speak to art critic and author Judith Benhamou. She tells us why "like many geniuses, Picasso was a monster" and how his sexual appetite fuelled his creative impulses.
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The Art of the Shadow: How Painters Have Gotten It Wrong for Centuries
The goal is not to expose the “slipups” of the masters but to understand the human brain.
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How Stuart Little Uncovered an Avant-garde Masterpiece Missing for almost a Century
We love a good story about a missing painting missing. This one starts in Christmas of 2008: a Hungarian art historian is at home with his young daughter Lola, watching the popular children’s film Stuart Little, when he notices a painting in the background that shakes him up so much, he almost drops his daughter…
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