Yoko Ono and the Myth That Deserves to Die
In Tokyo, in 1964, the 31-year-old conceptual artist Yoko Ono organized a happening in which she screened a Hollywood film and gave the audience a simple instruction: Do not look at Rock Hudson, look only at Doris Day. Like most of the countercultural riddles that appear in Grapefruit, Ono’s book from the same year, the instruction — titled Film Script 5 — was at once facile and mischievously impossible.
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