Artist Mark Bradford Unveils His Largest Work Yet, a Civil War Cyclorama at the Hirshhorn
The artist's homecoming, after a critically acclaimed pavilion in Venice, doesn't lack for ambition—or size.
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MARK BRADFORD: PICKETT’S CHARGE NOV 08, 2017–NOV 12, 2018
Mark Bradford, Pickett’s Charge (Battle), 2016–17 (detail). Photo courtesy of the artist and Hauser & Wirth/photographer Joshua White.
Mark Bradford, Pickett’s Charge (Two Men), 2016–17 (detail). Photo courtesy of the artist and Hauser & Wirth/photographer Joshua White.
Mark Bradford, Pickett’s Charge (The Copse of Trees), 2016–17, installed in the artist’s studio. Photo courtesy of the artist and Hauser & Wirth/photographer Joshua White.
Mark Bradford, Pickett’s Charge (The Dead Horse), 2016–17, installed in the artist’s studio. Photo courtesy of the artist and Hauser & Wirth/photographer Joshua White.
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Shade: Clyfford Still / Mark Bradford
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