Swarm isn’t a love letter to Black women. It’s hate mail.
In 2013, when I was a freshman at Howard University, one of my friends was borderline obsessed with Childish Gambino’s music. Before that, I hadn’t heard much about Gambino — or his alter ego, then-comedian Donald Glover — but I was surprised when, in the midst of a conversation praising his artistry, my friend, who is also a Black woman, flatly said that the rapper didn’t like Black women, something she said was evident not only in his dating choices (at the time, the rumor was that he only dated Asian or white women) but in his lyrics. “Everyone knows that,” she said dismissively, with no anger or jealousy in her voice.
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