A Spitting Image
Painted Spanish sculpture had flesh tones and realistic wounds and tears and glass eyes, and it gave Protestants the creeps. But here’s the thing: Italian sculptors of the Renaissance also colored their works and were seemingly happy to do so. If we tend to forget this, it may be because the evidence we are looking at has been rigged: painted terracottas of the Renaissance have been stripped of their color, just as innumerable wood carvings of the northern schools have been stripped and “antiqued” in a manner acceptable to past taste and the antiques trade. By James Fenton.