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Sinead Crowley's cultural highlights of 2019
RTÉ Arts and Media Correspondent offers her own unique take on the year in Culture...
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+13 +1
Montreux Jazz Festival 2015
Caro Emerald
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+8 +1
John Moreland - You Don't Care for Me Enough to Cry
John Moreland performing "You Don't Care for Me Enough to Cry" at Music City Roots Live From The Factory on 4.15.2015
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+10 +1
Dog Days Are Over
Florence + The Machine
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+22 +1
That Man
Caro Emerald
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+9 +1
Somewhere Over The Rainbow
The Lady & The Cat
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+13 +1
I Got the Music in Me
Kiki Dee Band
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+6 +1
Merman Burnett
The Carol Burnett Show Family Show
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+12 +1
Dream On
Postmodern Jukebox ft. Morgan James
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+2 +1
Extraordinary Machine
Fiona Apple
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+6 +1
Hello My Friend
Olivia Seville
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+12 +1
Downtown (1967)
Petula Clark
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+5 +1
Creep
Postmodern Jukebox ft. Haley Reinhart
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+19 +1
It Don't Mean a Thing (If It Ain't Got That Swing) [1974]
Ella Fitzgerald
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+17 +1
Come On Eileen [Live]
Sugarland and Sara Bareilles
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+21 +1
The Emperor Robeson
It is hard to find anyone under fifty who has the slightest idea who Paul Robeson is, or what he was, which is astonishing—as a singer, of course, and as an actor, his work is of the highest order. But his significance as an emblematic figure is even greater, crucial to an understanding of the American twentieth century. By Simon Callow.
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+11 +1
Is That All There Is?
Peggy Lee
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+1 +1
I Want to Be Evil
Eartha Kitt
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+22 +1
How Lena Horne Escaped Hollywood’s Blacklist
At the height of her career, the beautiful young performer accidentally stumbled into a power struggle between Hollywood communists and McCarthyites. By John Meroney.
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From Folklore to Exotica: Yma Sumac and the Performance of Inca Identity
When the Andean exotica singer Yma Sumac became famous in the United States for her supposed Inca heritage and five-octave voice, her fellow Peruvians called her a sellout. Ethnomusicologist Zoila Mendoza, however, knew Yma Sumac as her mother’s childhood friend... (2013)
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