How ‘Minority Report’ Trapped Us In A World Of Bad Interfaces

I wish I could get away with charging my clients a fee for every time they say “Minority Report” to me. I’m a commercial artist in L.A., and 90% of commercial art is shutting up and giving the client what they want. That means I spend a lot of time trying to repackage Steven Spielberg’s vision of the future: floating graphical windows with video hovering in them, typography flickering and animating in response to actors’ actions, interfaces appearing and disappearing when fingers reach out to poke them.

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